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Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Annuals Text by Paula Marincola with

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Description

Text by Paula Marincola with an additional essay

Miles Barth

The Intimate Outsider: Boogie photographs his home city with the dual perspective of a native and a stranger

The curated plates focus heavily on his emerging color work

Visual Alchemy and Multiple Printing: The monograph showcases Uelsmann’s mastery of "composite photographs

Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Annuals Text by Paula Marincola withSchirmer Mosel Verlag, Munich in association with Neue Galerie, New York, 2003. Hardcover, fine with very good dust jacket that has a few thin scratches and small indentations, and a crimp at bottom corner of inner front panel. Issued in connection with an exhibition at Neue Galerie. 260 pages. Christian Schad (1894 1982) was a leading figure in the Neue Saclichkeit (New Objectivity) movement of the 1920s whose oeuvre featured a wide range of subjects

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