Smith, W. Eugene. "The Conscience of the Print," in Camera 35, May 1970. Untitled (Friends of Photography) provocative issue that balances a

provocative issue that balances a critique of the photography industry with deeply empathetic documentary portfolios

Alternative & Historical Processes: Introducing various unusual and hybrid photographic chemistry techniques used to create unique visual textures

Includes “San Francisco Bay Windows” and two photos of beach rocks by Brett Weston

anchoring essay by art historian Linda F

September 1983

Smith, W. Eugene. "The Conscience of the Print," in Camera 35, May 1970. Untitled (Friends of Photography) provocative issue that balances aEntire issue of Camera 35 featuring article on W. Eugene Smith, with portfolio of Smith photographs, pages 36 42 and detailed analysis of Smith's working methods by Bob Combs, pages, 43, 60, 62, 64, 66 69. There is another full page Smith photo in a Soligor ad on page 61. Other articles include using punched cards to find photos in a collection. Condition generally good with the two leaves in center of magazine detached (could be reattached). Summary: