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In Fugitive Tilts
Justine Emard
their digital augmentations tend to be refractions rather than reflections: they highlight only some facets of the world at the expense of others
Those who exist outside them are ignored
have transformed Switzerland into a vast suburban patchwork
Hyperreality 2025, documented by zweikommasieben #30 book design In Fugitive TiltsIn 2024, zweikommasieben dissolved its fixed publishing schedule of producing two issues of zweikommasieben per yeara shift that felt meaningful and opened up new possibilities. Inspired by this new flexibility, the team embraced a freer editorial direction. While they remain committed to documenting contemporary music and sound, they chose to readjust their focus: first zooming in on specific artists, practices, and initiatives in the field, and from
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